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Game of Thrones Season 7 VFX Breakdown by Rodeo FX

Game of Thrones Season 7 VFX Breakdown by Rodeo FX

Game of Thrones Season 7 VFX Breakdown by Rodeo FX Rodeo FX – For Season 7 of Game of Thrones, our team was tasked with concept art, as well as the making-of of the sea battle in episode 2 and wall destruction in the finale. For the nighttime sea battle, we created

Cash only hotel 3D Breakdown

Cash only hotel 3D Breakdown

Cash only hotel 3D Breakdown CASH ONLY HOTEL is set of full CG formats (interactive, movie, still) of komercni bank advertising campaign. Trend of paying almost every single spending with credit or debet cards (and especially in foreign countries) is reflected into the opposite situation – wild, dangerous, stormy wasteland right before

The Greatest Showman VFX Breakdown

The Greatest Showman VFX Breakdown

The Greatest Showman VFX Breakdown Rodeo FX – Working closely with the film’s production team, and on-set with director Michael Gracey, our team delivered 85 shots for The Greatest Showman. Using plates of the miniaturized cityscape of old Manhattan, our team worked its CG magic to bring the city to life. We

Making of Follow The Rabbit 2

Making of Follow The Rabbit 2

  Making of Follow The Rabbit 2 THE MILL – Reuniting with VCCP, directors dom&nic and Outsider, The Mill created this follow-up to O2’s ‘Follow The Rabbit’ campaign, with not just one fully CG photo-real wild rabbit, but thousands. This latest film sees the return of the iconic blue rabbit, but multiplied in

Rock, Flag, and Eagle VFX Breakdown

Rock, Flag, and Eagle VFX Breakdown

Rock, Flag, and Eagle VFX Breakdown ABLE VFX – When the South Carolina lottery asked us to create a spot promoting a new series of Harely-Davidson themed scratch games, we eagerly cracked open our sketchbooks and dusted off our leather big-boy pants. Harley-Davidson is a full-throated and unapologetic symbol of American individualism.

Making of Blue Bunny

Making of Blue Bunny

  Making of Blue Bunny The Mill – Take a look at the Behind the Scenes of Blue Bunny ‘Pants’ and ‘Hands’, created in collaboration with FCB Chicago and Director JJ Adler out of Tool of North America. CREDITS Agency Agency: FCB Chicago Producers: Jen Passaniti & Ximena Aguirre Creative Directors: Kathleen Wille & Marisa Groenwegne Account Director:

Making of Black Panther’s Visual Effects

Making of Black Panther’s Visual Effects

  Making of Black Panther’s Visual Effects Daryl Sawchuk, Visual Effects Supervisor for Method Studios and Animation Supervisor for Black Panther, gives WIRED an exclusive look at breakdowns of the digital Black Panther and Kilmonger suits, and the final fight scene of Marvel’s mega-blockbuster.          

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